James Dean and Eartha Kitt at Katherine Dunham’s dance school class in New York City, 1955.
Eartha Kitt: “[James Dean] said to me, ‘I want to move like you, can you teach me how to move my body like you do on stage?’ And I told him where to meet me, here in New York and that’s where we met for dance classes. And that’s where Jamie and I always met downstairs from that studio to have coffee, to have our little tete-a-tete conversations.
He was like my brother. He had something in him that he didn’t understand. He wanted to learn from me how to move on the stage the way I do, so I taught him how to control his body and how to let the words physically carry you from this point to that point. I was in a play and he’d just done his first film so we were both becoming known at that time. It was a good time.”
Tag: we had faces then
the-marriage-of-heaven-and-hell:
Romy Schneider photographed by Milton Greene, 1963
“I’ll never forget the day Marilyn and I were walking around New York City, just having a stroll on a nice day. She loved New York because no one bothered her there like they did in Hollywood, she could put on her plain-jane clothes and no one would notice her. She loved that. So as we we’re walking down Broadway, she turns to me and says ‘Do you want to see me become her?’ I didn’t know what she meant but I just said ‘Yes’- and then I saw it. I don’t know how to explain what she did because it was so very subtle, but she turned something on within herself that was almost like magic. And suddenly cars were slowing and people were turning their heads and stopping to stare. They were recognizing that this was Marilyn Monroe as if she pulled off a mask or something, even though a second ago nobody noticed her. I had never seen anything like it before.” – Amy Greene, wife of Marilyn’s personal photographer Milton Greene
Audrey Hepburn photographed during the production of The Nun’s Story in the Borghese Gardens, Rome, 1958. From the personal collection of Luca Dotti (@thedottis). Author unknown.
Eleanor Parker in The Woman in White (1948)
Gilda (1946), dir. Charles Vidor
Hello. Remember me? I’m Gilda, your wife.
Rita Hayworth in Gilda (1946)








