“I would like to be a decent example to other girls and that probably means believing in their belief in me. I want to respect the dream we’re all having.”
I introduced a friend to ATLA a few nights ago, and they had only
known two things about the entire show: the cabbage meme, and that Aang
apparently wants to ride every large and dangerous animal he can
possibly find. We got through the first five or so episodes, and my
friend noted that Aang is exactly what a 12-year-old would be like if
given godlike powers, and that this is literally just what he
could do with airbending. He can’t even wield any of the other elements,
and he’s one of the most powerful people on the planet, because he’s an
airbender.
And that got me thinking.
This snippet from Bitter Work is one of the few pieces of concrete information we get about the airbenders, at least in ATLA. Iroh is explaining to Zuko how all four of the elements connect to the world and to each other.
Fire is the element of power, of desire and will, of ambition and the ability to see it through. Power is crucial to the world; without it, there’s no drive, no momentum, no push. But fire can easily grow out of control and become dangerous; it can become unpredictable, unless it is nurtured and watched and structured.
Earth is the element of substance, persistence, and enduring. Earth is strong, consistent, and blunt. It can construct things with a sense of permanence; a house, a town, a walled city. But earth is also stubborn; it’s liable to get stuck, dig in, and stay put even when it’s best to move on.
Water is the element of change, of adaptation, of movement. Water is incredibly powerful both as a liquid and a solid; it will flow and redirect. But it also will change, even when you don’t want it to; ice will melt, liquid will evaporate. A life dedicated to change necessarily involves constant movement, never putting down roots, never letting yourself become too comfortable.
We see only a few flashbacks to Aang’s life in the temples, and we get a sense of who he was and what kind of upbringing he had.
This is a preteen with the power to fucking fly. He’s got no fear of falling, and a much reduced fear of death. There’s a reason why the sages avoid telling the new avatar their status until they turn sixteen; could you imagine a firebender, at twelve years old, learning that they were going to be the most powerful person in the whole world? Depending on that child, that could go so badly.
But the thing about Aang, and the thing about the Air Nomads, is that they were part of the world too. They contributed to the balance, and then they were all but wiped out by Sozin. What was lost, there? Was it freedom? Yes, but I think there’s something else too, and it’s just yet another piece of the utter brilliance of the worldbuilding of ATLA.
To recap: we have power to push us forward; we have stability to keep us strong; we have change to keep us moving.
And then we have this guy.
The air nomads brought fun to the world. They brought a very literal sense of lightheartedness.
Sozin saw this as a weakness. I think a lot of the world did, in ATLA. Why do the Air Nomads bother, right? They’re just up there in their temples, playing games, baking pies in order to throw them as a gag. As Iroh said above, they had pretty great senses of humour, and they didn’t take themselves too seriously.
But that’s a huge part of having a world of balance and peace.
It’s not just about power, or might, or the ability to adapt. You can have all of those, but you also need fun. You need the ability to be vulnerable, to have no ambitions beyond just having a good day. You need to be able to embrace silliness, to nurture play, to have that space where a very specific kind of emotional growth can occur. Fun makes a hard life a little easier. Fun makes your own mortality a little less frightening to grasp. Fun is the spaces in between, that can’t be measured by money or military might. Fun is what nurtures imagination, allows you to see a situation in a whole new light, to find new solutions to problems previously considered impossible.
Fun is what makes a stranger into a friend, rather than an enemy.
Marvel really made a huge mistake with not making a Black Widow movie sooner. If they had just made it back when the fans wanted, in 2013, it probably would’ve made a decent amount of money and been really popular on here for awhile
But now they’ve waited too long and the fans have noticed all the problematic aspects of how Black Widow is written, along with how shitty a person Scarlet Johansen is, that people don’t give a shit that she finally does have a movie coming out
Chances are now that it’s gonna flop and all the movie executives are going to smoke their giant cigars in their big offices and say “Well, looks like big budget movies with female leads don’t sell, just like we thought, let’s never try to make a big budget female led movie ever again” and pat themselves on the back for their ingenuity when it’s their own damn fault (Along with Scarjo being a shitty person)
They need to recast the role
Thing is…
…they could.
Think about it: BW is a spy, whose face is now plastered all over the media. Her espionage career–arguably her major contribution to the team–is over. So now she has to either:
Get plastic surgery, or (my favorite)
Utilize a series of elaborate disguises for each scene. We never see OG Widow again, instead seeing her portrayed by Lucy Liu, Halle Berry (in a white wig, of course), Gal Gadot, Rosario Dawson (for a fun Daredevil crossover mix up), and Judi Dench.
We leave the theatre wondering if we’ve ever seen the real Natasha Romanov.